Thursday, June 8, 2017
Response to Ej Dickson: A Plea for Reason from a Jewish Man to a Jewish Woman
Sunday, June 4, 2017
Bill Maher, racist epithets, contextual meaning, free speech, 'free speech,' and the confederate flag
by David Balashinsky 
First, a trigger warning: this essay uses the n word frequently.  I
 believe that the brouhaha surrounding Bill Maher's use of the phrase house nigger
 provides an appropriate context for a frank discussion of these two 
terms (the phrase in its entirety and the racist noun itself which is 
modified by house when used in that phrase).  Sometimes, painful topics need to be discussed and discussed frankly.  This is one of those times.
While
 it's always risky to use any word that can be perceived, rightly or 
wrongly, as a racist epithet, there is a fundamental difference between nigger and house nigger.   Use of the word nigger situates the user  himself in the present context as a racist (unless the word is being used by a Black person, which I discuss below).  In contrast, use of the phrase house nigger  situates the word nigger in the historical context of the South's enslavement and exploitation of Black people.  One is a 'real time,' actual use of an epithet that is demeaning to Blacks as human beings.  The other has almost the opposite
 meaning: it refers to a quasi-caste system in which some enslaved Black
 Americans were permitted the relative 'comfort' of  serving their White
 oppressors by performing domestic, indoor work as opposed to the far 
more brutal and difficult labor of field work.  That is how Maher used 
the term.  
Temporally removed, as we are, from the
 legalized enslavement of human beings based on their genotype (though 
not so removed that the wounds are not still open and not so removed 
that positive, concrete steps do not  still need to be taken to at least
 ameliorate the lasting effects of the African diaspora and enslavement 
of millions of Blacks, including some sort of reparations), invoking the
 term house nigger constitutes a critique of that system of organized enslavement.  The term, to my ears and, I think, to the ears of the majority of people who are familiar with it, refers to the system
 under which Blacks were enslaved, exploited, raped, tortured and 
murdered.  There is a fundamental difference between using a term that 
refers to one element of a system that was based upon racism and using a
 term that is itself racist.  House nigger is an example of the former and nigger is an example of the latter.
Obviously, racism still exists and the existence of the n-word both
 reflects and sustains that awful reality.  Thus, to use the word by 
itself is to participate in the perpetuation of racism.  But to situate 
the term within the historical context of the racist and economic system
 of enslavement of African-, Afro-Caribbean and African-American black people by the 
slave-holding states of the United States prior to the Emancipation 
Proclamation and the victory of the Union over the Confederacy, serves to remind us that the ultimate purpose of 
enslavement was simply to enable one group of human beings to enrich 
themselves at the expense of the rights and the very lives of another 
group of human beings.  It reminds us that slavery thrived here and that
 the system was based on racism.
Now, having said all 
this, and even if one accepts my reasoning, can it be assumed that 
everyone is familiar with the full meaning and significance of the 
phrase that Maher used?  I would say no.  That is one reason why Maher probably should not have used it and why his apology for having used it is appropriate. 
But, far more significant, it seems to me, 
is what Maher's easy dropping of the n word says about the state of our society, even allowing that Maher used it in a phrase in which its use conveys a different meaning than the word does by itself.  If we are to have a frank discussion about the n word, such a discussion cannot be profitable without acknowledging the fact that, thanks primarily to Donald Trump, we are living in a 
social and historical context in which the lid that had been kept on 
covert bigotry has been torn away.  We are living in an age when the use
 of insulting, demeaning and marginalizing language is more and more 
defended, thanks largely to Trump's repeated rejection throughout the 
campaign of 'political correctness' in tandem with his scapegoating and 
vilifying of primarily non-White people, on the specious grounds of
 'free speech.'  It is no coincidence that this very day a 'free speech'
 rally is to be held in Portland, Oregon by alt-righters (white 
nationalists and neo-Nazis), including such notable hate groups as the 
Oath Keepers, the Proud Boys, and the Alt-Knights, ostensibly to defend 
the principle of free speech.  This is in the wake of several notorious 
instances this year in which racist, misogynistic and bigoted charlatans
 such as Milo Yiannopoulos, Ann Coulter and Charles Murray were shouted 
down or otherwise prevented from speaking on several college campuses.  
Obviously, someone has to create a 'safe space' where bigots can promote
 their racist and xenophobic worldviews and far-right hate groups are 
only too happy to answer the call.  Hence today's demonstration in 
Portland.
Trump has egregiously damaged the social fabric of
 the United States and it will certainly take generations to repair it, 
if it even can be repaired.  I wonder whether Maher's gaffe does not in 
fact reflect this new reality.  As the old-fashioned notion of concerning oneself with the feelings of 
others and moderating one's speech lest it cause needless pain and offense (quaint by today's standards) is increasingly discarded and dismissed as 'political correctness,'  a general coarsening of public speech and a breakdown in propriety - a shift in the border between what is permissible to say publicly and what is not (a shift in the Overton window, in other words) - seems to be  the inevitable result.  Trump didn't create bigotry but he certainly made it far more 
socially acceptable to give voice to it - whether through a careless and
 arrogant disregard for the feelings of others or whether because of an 
overtly militant bigotry which seeks to proclaim itself publicly, defiantly, and proudly. Again, in this context, claims of 'political correctness' and 'free speech' are disingenuous:  
it is no coincidence that the neo-right, white nationalist movement has 
taken to dismissing as 'snowflakes' those who, inexplicably, object to 
being subjected to hate speech and thereby demeaned and marginalized. 
Maher,
 of course, has always been about rejecting 'political correctness.'  
His previous show, after all, was called "Politically Incorrect."   But,
 as always, context provides the key to determining when a term is meant
 or used disparagingly and when it isn't.  What was Maher talking about 
when he used the phrase for which he has drawn so much outrage (much of 
it faux outrage, as all of the outrage coming from the right is in this 
case)?  He certainly wasn't talking about the institution of slavery and
 the relegation of some enslaved people to field work and others to 
domestic work.  He just used the phrase metaphorically to explain his own
 unsuitability to the hard physical labor of field work.  But, other 
than the fact that his interviewee, Senator Ben Sasse of Nebraska, had 
made this comment to Maher - "We'd love to have you work in the fields 
with us" - there was absolutely no reason for Maher to invoke the 
phenomenon of the 'house nigger' as opposed to an enslaved person 
consigned to field labor.  Field work has always existed, with or without enslaved people to do it.  Moreover, it is honorable and valuable work 
and, without it, most of us would have to do without much of what is 
grown and harvested on farms.  There was absolutely no reason for Maher 
to tie working in a field to slave labor.  This is why it was jarring 
and disconcerting to hear Maher use it, even leaving aside the question of whether the phrase house nigger is racist in and of itself.  It had absolutely nothing to do with the conversation.  So 
why did this particular phrase come so readily to him?  Given that there
 was virtually no contextual justification for him to use that phrase, 
does his having done so reflect his own latent or covert racism?  Does 
it reflect the coarsened, anything-goes tenor of today's public 
discourse?  Perhaps some of both - only Maher can answer the first 
question.  My sense is that it was thoughtlessness and insensitivity on Maher's part. 
So
 when, if ever, is it okay to use the n word or a phrase that includes
 it? This leads me to the phenomenon of Black people using 'the n word.'  I 
understand that, in certain contexts, use of that word is meant to be 
descriptive of the inferior status of Blacks in a White-dominant 
culture.  It does not appear to be an act of 'appropriation' or 
'reclaiming,' as queer was reclaimed and 're-branded' as a self-designation by gay men back in the '80s as an act of defiance against a heteronormative and homophobic culture.  I think that that is why it is socially permissible for both gays and non-gays alike to use queer but not permissible for both Blacks and non-Blacks to use nigger. 
 When Blacks use the n word, as I understand it, they are speaking 
among themselves and within the context of their shared experience in a 
society in which racism remains entrenched and prevalent.  They are 
using the term not in order to neuter it or to confer legitimacy upon its 
use by non-Blacks but the very opposite.  Nigger, when used by Black people themselves, should be understood to be a kind of shibboleth.  That is why the argument by 
some Whites - "if it's okay for Black people to use the n word then it 
should be okay for White people to use it" - is false.  It is a deliberately false argument when invoked by those who are actively racist and an ignorantly false argument when invoked by those who are passively racist.  Nigger simply has a different meaning and significance depending upon who is using it and why.
The concept that I have been trying to illustrate through both of these examples - Maher's use of the n word in the phrase house nigger and the use of the n word by Black people - is that the meaning or significance of a word is not strictly immanent but depends on the context in which it is used.  That is equally true of symbols (and words, themselves, after all, are symbols, too).  Just as there is a vast difference between using the n word to reference the history of racism and using it as a pejorative in an act of contemporary racism, there
 is a vast difference between acknowledging history and celebrating 
history. 
 Again, this is why context matters.  This is particularly relevant now,
 as the movement to do away with the living symbols of Black oppression,
 such as the confederate flag and monuments to the heroes of the 
confederacy, gains traction.  The failure - or refusal - to distinguish 
between the act of remembering and the act of celebrating is a 
disingenuous way of perpetuating the original harm.  I mention this here
 because I see an analogy between the controversy regarding the 
civil-war- and post-civil-war-era symbols of the South and the movement 
to banish them from the public square on the one hand, and the 
controversy regarding Maher's  use of house nigger and the impulse 
to banish the n word from the public square, on the other.  If one 
seeks merely to document and remember history, then the appropriate location for the symbols of the South's rebellion over the issue of slavery
 is a museum.  If, alternatively, one seeks to perpetuate the legacy, 
the effects and the worldview of those who enslaved Black people, then the 
appropriate locations for the confederate flag and monuments to the heroes 
of the confederacy are flying over state capitols and in public spaces, 
respectively.   That is the difference between a museum and a 
public space. A museum creates a context in which its contents are 
viewed critically.  If it is a historiographical museum, its contents 
are contextualized as artifacts.  The curator is, in effect, saying, 
"This is what was"; not "This is what ought to be."  In contrast, a 
public space presents its contents as a living statement of what is and of what that society aspires to be.  Its curator - the state - is, in effect, saying, "This is who and what we are."
Similarly, if one seeks merely to refer to the phenomenon of the house 
nigger in service of a larger historiographical and didactic purpose, 
language, in that context, functions as sort of museum: a repository of a
 sordid past.  But if, alternatively, one seeks to perpetuate that past,
 then language functions as a vital and immediate means 
of conveying racist sentiments.  That, I maintain, is the 
difference between the phrase that Maher used and the n word.  The 
problem, here, aside from the fact that Maher had no compelling reason 
to use the phrase that he did in the first place, is that the contents of his show are much more the stuff of the present-day public square than than they are of a museum.  Indeed, that is why Maher's show is called "Real Time."
Revised 29 August 2023